Month: July 2024

Let’s Take a Hike: A Booklist

Audrey Swartz, Adult Services and Readers’ Advisory Librarian

 

The heat of summer is upon us, and many of us will fill the few nice days with outdoor activities: hikes, trips to the zoo, the county fair, and, of course, the ever-calling draw of swimming. At Manhattan Public Library, we pride ourselves on our diverse program activities. You may have noticed a slew of new adult programs on our calendar thanks to our new Adult Programming Librarian, Victoria. Recently she took a group of 17 library patrons on a hike; it turned out to be a lovely day and a hit. I suspect we will see more outdoor adventures planned in the near future. If you missed the hike, we have created a handy-dandy list of books you can check out to explore the prairie on your own. All information for these titles has been taken from our catalog, which can be accessed at Manhattan Public Library Catalog.

 

“How to Suffer Outside: A Beginner’s Guide to Hiking and Backpacking” by Diana Helmuth; illustrations by Latasha Dunston.
Part critique of modern hiking culture and part how-to guide, “How to Suffer Outside” is for anyone who wants to hit the trail without breaking the bank. Diana Helmuth offers real advice, opinionated but accessible and based on in-the-field experiences. She wins readers’ hearts and trust through a blend of self-deprecating humor and good-natured heckling of both seasoned backpackers and urbanites who romanticize being outdoorsy, plus a helpful dose of the actual advice a novice needs to get started.

 

“Forest Walking: Discovering the Trees and Woodlands of North America” by Peter Wohlleben and Jane Billinghurst.
What can you learn by following the spread of a root, by tasting the tip of a branch, by searching out that bitter almond smell? What creatures can be found in a stream if you turn over a rock–and what is the best way to cross a forest stream, anyway? How can you understand a forest’s history by the feel of the path underfoot, the scars on the trees along the trail, or the play of sunlight through the branches? How can we safely explore the forest at night? What activities can we use to engage children with the forest?

 

“Becoming Odyssa: Adventures on the Appalachian Trail” by Jennifer Pharr Davis.
After graduating from college, Jennifer isn’t sure what she wants to do with her life. She is drawn to the Appalachian Trail, a 2175-mile footpath that stretches from Georgia to Maine. The next four months are the most physically and emotionally challenging of her life. She quickly discovers that thru-hiking is harder than she had imagined: coping with blisters and aching shoulders from the 30-pound pack she carries; sleeping on the hard-wooden floors of trail shelters; hiking through endless torrents of rain and even a blizzard. The trail is full of unexpected kindness, generosity, and humor.

 

“Hiking Day” by Anne Rockwell; illustrated by Lizzy Rockwell.
A little girl and her family go hiking up a nearby mountain for the very first time. As they climb up and up the path, they see everything from a friendly toad to a prickly porcupine, tall leafy trees to tiny red berries.

 

“Hike” written and illustrated by Pete Oswald.
In the cool and quiet early light of morning, a father and child wake up. Today they’re going on a hike. Follow the duo into the mountains as they witness the magic of the wilderness, overcome challenges, and play a small role in the survival of the forest. By the time they return home, they feel alive — and closer than ever — as they document their hike and take their place in family history.

 

“America’s Great Hiking Trails” by Karen Berger; photography by Bart Smith; foreword by Bill McKibben.
A hiker’s dream bucket list is embodied in this lavishly illustrated celebration of more than 50,000 miles of America’s most iconic trails. Celebrating the forty most important trails in America, this volume takes the reader through forty-nine states and eight national parks.

 

“Kansas Trail Guide: The Best Hiking, Biking, and Riding in the Sunflower State” by Jonathan Conard and Kristin Conard; foreword by Marci Penner.
From the windswept plains to the majestic Flint Hills, the subtle beauty of the Sunflower State is best appreciated from its myriad wide-ranging trails. This comprehensive guide will tell you all you need to know about the trails that crisscross Kansas. The illustrated guide includes detailed full-color maps, GPS coordinates, and, of course, extensive route descriptions.

 

“Walking Distance: Extraordinary Hikes for Ordinary People” by Robert E. Manning and Martha S. Manning.
Walking is simple, but it can also be profound. Robert and Martha Manning invite readers to explore the pleasures of long-distance walking in their inspiring new book. At the heart of “Walking Distance” are firsthand descriptions of thirty of the world’s great long-distance hikes, spanning six continents and ranging from inn-to-inn to backpacking trips.
I hope to see you exploring our library, gathering your summer reading prizes, and visiting us at events throughout the year! Manhattan Public Library is a cornerstone of free and equal access to a world of ideas and information for the Manhattan, Kansas, community. Manhattan Public Library serves more than 75,000 people in the Riley County area through curated book and other media collections, knowledgeable staff, relevant programming for all ages, and meeting space. Learn more at mhklibrary.org.

 

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Audrey Swartz, Adult Services and Readers’ Advisory Librarian

 

Text, Images, and Memories: Exploring Graphic Memoirs
by Crystal Hicks, Collection Services Manager

I got into comics as a kid, then Japanese manga as a teen, but it wasn’t until a college course on “The Graphic Novel” that I read my first graphic memoir. Art Spiegelman’s “Maus,” Marjane Satrapi’s “Persepolis,” and Alison Bechdel’s “Fun Home” all amazed me with their ability to combine deeply personal intergenerational memoirs with breathtaking art. Each artist has a different style, honed to match their subject matter and provide added depth to their stories. Since then, I’ve returned to the genre periodically, drawn by the allure of seeing an author-illustrator meld their words and art to create inimitable magic.

For readers of Kate Beaton’s early comedy comic, “Hark! A Vagrant,” her memoir may seem like an unexpected detour, but it’s one well worth taking. “Ducks: Two Years in the Oil Sands” follows freshly-graduated-and-deeply-in-debt Katie as she leaves home to work in the oil sands, where she plans to work tirelessly until her debt’s paid off. Monotony and casual sexism are rife, and Katie’s years are punctuated with sexual assault and witnessing the violence of the oil industry on its employees, the environment, and the First Nations peoples whose lands are being exploited. The true wonder of Beaton’s work is creating a book as beautiful as it is bleak.

Tessa Hulls’s memoir, “Feeding Ghosts,” examines the intergenerational trauma affecting three generations of her Chinese-immigrant family. After escaping Communist China with her daughter Rose in 1957, Sun Yi wrote a bestselling memoir called “Eight Years in Red China,” then lost her mind, the result of years of systematic brainwashing where she was forced to write confessions repeatedly and interrogated relentlessly about any discrepancies. Rose devoted herself wholly to Sun Yi after this, including bringing her to the United States in the ‘70s and enabling her to continuously rewrite and “republish” her memoir for the rest of her life. As a mother to Tessa, Rose attempted to devote herself equally to fighting Tessa’s mental illness, with one catch—Tessa doesn’t consider herself to have been mentally ill. Hulls walks a difficult path, carefully demarcating her and her mother’s own versions of her life, intertwining them with the stories of Sun Yi and Rose, and linking the whole to the tumultuous history of China in the twentieth century. The resulting work has no easy answers but, as Hulls points out, “all history is contested” (20).

Thi Bui begins “The Best We Could Do” with her childbirth experience, the heavy weight of new parental responsibility, and a growing empathy for her mother, who birthed six children amidst the turmoil of the Việt Nam War. This is a fitting beginning to a memoir that’s ultimately about the twin legacies of parenthood and childhood, how we’ll always be shaped by our parents but never entirely understand the decisions they made and the difficulties they faced. Bui traces her parents’ lives before and during the Việt Nam War, including their immigration to America with four young children, and reflects on the shock of immigration and her gradual adaptation to American mores. Despite her difficult childhood, Bui extends a compassionate grace to her parents, understanding and accepting that they did everything they could for her and her siblings, and in turn feels optimistic about her own legacy as a parent.

Maurice Vellekoop’s “I’m So Glad We Had This Time Together” spans most of his life, exploring the difficulties he faced growing up gay in a conservative Christian family. From a young age, Vellekoop and his mother were two peas in a pod, him delighting at helping her in her hair salon or going on outings with her. As he grew up, his queerness was undeniable, and tensions strained, particularly when he came out to his parents and faced his mother’s direct censure. Over time, Vellekoop learned to move past his internalized homophobia and to openly embrace his identity, and eventually his parents did, too. The colors of Vellekoop’s memoir are especially delightful—most graphic memoirs stick to a single, spare color scheme, but Vellekoop’s book is a veritable kaleidoscope of colors as he unwinds decades of memories, complete with shifting color palettes and fashions.

Not all graphic memoirs are so wide-ranging as those listed above. “Kimiko Does Cancer,” written by Kimiko Tobimatsu and illustrated by Keet Geniza, hones in on a couple years of the author’s life, from her initial discovery of a lump on her breast through treatment and adjustment to her life afterwards. At 25, cancer was the farthest thing from Tobimatsu’s thoughts, and she was unprepared for the whirlwind of diagnosis, treatment, and preventative therapies she was in for. As a young, queer, mixed-race woman, Tobimatsu felt isolated from the mainstream cancer narrative, and struggled with how to connect to her family, partner, and friends about her new reality, which includes medical-induced early menopause and recurrent hot flashes. Though a quick read, “Kimiko Does Cancer” is a strong addition to the canon of cancer memoirs, especially for its questions about the intersection of cancer prevention and disability.

There are, of course, scads more graphic memoirs out there, and I encourage you to peruse our collection and give one a try. I find the combination of words and personal stories to be uniquely engrossing, and graphic memoirs embolden me to learn about topics I couldn’t tackle in a prose book. I am, as always, looking forward to the next great graphic memoir that crosses my path, and hope you join me in enjoying this unique art form.

Manhattan Public Library is a cornerstone of free and equal access to a world of ideas and information for the Manhattan, Kansas, community. Learn more at http://mhklibrary.org.

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Crystal Hicks, Collection Services Manager